Sunday, 3 March 2013

Keep your career moving with Continuous Professional Development


Keep your career moving with Continuous Professional Development

Keeping pace with changes can help you stand out – and the rewards don't end there


Continuous professional development, or CPD, is an integral part of many career paths. Although the requirements vary, there are many professional and personal benefits to keeping up with your CPD, from honing skills to finding a new role.
Whether the aim is to improve within your current position or to give your CV added lustre, truly effective CPD is an ongoing process, explains Carilyn Clements, director of membership at the Chartered Institution of Building Services Engineers (CIBSE). "It is a long-term commitment," she says. "It means systematic maintenance, improvement and broadening of your skills year after year."
You can maintain and improve your knowledge in a range of ways. Organised learning via courses along with self-directed learning and reading within your area are common methods, but there are many others. "A lot of things can count as CPD," says Andrew Williams, head of professional qualifications at the Royal Institute of Chartered Surveyors. "Things like mentoring people in the workplace, being mentored or learning a new language for business."
Anyone looking to take stock of their level of CPD might want to start with reviewing any mandatory requirements that exist within their profession, as these can vary. Currently, for example, chartered surveyors must complete a minimum of 20 hours CPD a year, while the Royal College of Veterinary Surgeons recommend an average of 35 hours a year.
However, the idea of CPD is just as relevant to those not accredited to professional bodies or working within industries where there are no formal requirements. Dr John McGurk, learning and talent development adviser at the Chartered Institute of Personnel and Development points out that keeping your skills up-to-date is appropriate for anyone. "It's about making sure you've got the capability to remain effective," he says. "Your field will develop, and if you don't develop alongside it, you'll be left behind."
Keeping abreast with technical advances within your profession is just one of the benefits of staying in touch. "CPD is essential in a knowledge-based industry," says Guy Buckland, head of development at law firm Osborne Clarke. "The main point of differentiation from other firms is the quality of your people's knowledge, both technical and of their clients' industries. We know that our clients value that knowledge when they have to make business-critical decisions."
While self-directed learning can help with those technical skills, it also provides networking opportunities. "Networking is half the reason why people go to the organised courses," says Williams. "You'll get your peers turning up in numbers." Those extra contacts may also help career progression. "It's helpful when changing jobs. It's a competitive world, people are doing more to develop and gain a USP; they're looking for specialist skills to make them more competitive."
Self-improvement can help in other ways too – including reducing your stress levels. "Often staff feel stressed because they find themselves out of their comfort zones," says Claire Lister, owner and MD of Pitman Training Group. "CPD can help to top-up skills and short, flexible training courses mean people can fit this in around work. We've seen many people reduce their stress levels as a result."
Effective employees can only benefit an organisation, which means employers have a part to play in delivering CPD, according to McGurk. "It's a co-responsibility with employers," he says. "If employers want capable people then they must facilitate their development by paying fees, challenging them – supportively – to make sure they're developed and making courses available to them." Real initiative needs to come from the individual, though. "Your employer can't spoonfeed you. You have a responsibility to develop yourself."
McGurk also advocates reading widely, looking at key issues online and following people in your field via social media. To make sure you get the right kind of CPD for you now, Leisa Docherty, people services director at Sage UK, strongly suggests looking to the future. "We encourage our people to think about what they want to do, and find out what skill and experience is needed," she says. Docherty suggests working closely with a mentor, and talking to colleagues to enable you to pinpoint where your ambitions and skills gaps lie.
It's important that you don't stay in your comfort zone. "Choose CPD in an area you feel is not one of your strengths," says Jill Maddison, director of CPD at the Royal Veterinary College. "Consult with your employer and agree on CPD that will not just benefit the individual but benefit the practice." That means aiming for practical courses that challenge, while avoiding "clocking up hours".
As good CPD will help you analyse your performance and help you be more effective, it's worth taking the time to get right, adds Emma Snowden, head of Goldsmiths Teachers Centre. "Prioritise, and take time to explore what is needed," she says. "Then be proactive about communicating ideas to your employers. Be realistic but creative about what is available."
An effective CPD approach might even bring personal benefits, suggests McGurk. "There's a huge amount of self-esteem you can get from knowing that you're continuously learning. And if you're a learner you're more likely to be adaptable." This can only help shore up your career against the tides of a changing professional world and help identify opportunities ahead. "It's about the industry you work in and what it's going to need," says McGurk. "CPD provides a sustainable and more rewarding career."

http://www.independent.co.uk/student/career-planning/keep-your-career-moving-with-continuous-professional-development-8484585.html

Nail your final year exhibition


Nail your final year exhibition

Final year degree show

Your graduation show is where all the hard work from the last few years comes together. It’s your chance to shine. But what should you include and how should you present it? Here’s how to get the most from that all-important showcase…

Plan ahead
The sooner you start considering which projects you’d like to present in your graduation show, the better. Exhibitions always take longer than expected to prepare and you don’t want to feel rushed or, worst still, run out of time. Think ahead, set yourself deadlines and make sure the work you present is your very best.
Get involved
Take an active role in all the preparations for the show, make sure that you attend meetings and discussions, and are part of the planning process. Not only will you enjoy it, it’ll also ensure that you have the bets chance of getting your work in a good position within the exhibition – and that matters.
Keep it simple
As tempting as it might be to present work that shows a whole range of different skillsets and knowledge, it’s often better to settle on one strong idea and execute it well. Make sure that you don’t overcomplicate your display: keep it clearly labelled, easy to navigate and triple-check there are no spelling mistakes anywhere.
Be professional
There’s every chance that you’ll be approached by design studios or other potential employers on the day. Always be prepared to talk professionally about your work, and anticipate potential questions. It’s also a good idea to have a strong bank of supporting drawings and other materials to hand – visitors will be interested in where your ideas came from.
Take business cards
Whatever you do, don’t forget your business cards. If traditional ones aren’t for you, think about providing other handy ‘takeaways’ of your best work to give prospective employers or future clients something to remember you by. Be proactive: approach visitors and try to make a strong first impression. It’s an excellent opportunity to build crucial contacts.
Think beyond the show
While your final year exhibitiion is hugely important, you should also focus your energies on getting the work that you produce for it out to a global audience. Only a limited number of people are going to come to the show itself, whereas an online showcase can be viewed by thousands around the world.
For more top tips and pro advice on how to make the most of your final year – from how to nail interviews and get your dream job to pricing your skills, gaining exposure and much more – pick up a copy of The Design Student Handbook, available now online, or from WHSmith in the UK, Barnes & Noble and Books-A-Million in the USA, Chapters in Canada and other retailers worldwide. Image courtesy of Shutterstock.
Julia Sagar
Julia is operations editor on Computer Arts magazine and editor of the Computer Arts Presents series. She once lost five bank cards in one month and has twice left her bike on the train (fortunately she got it back). She’s good at organising the Computer Arts crew, though.




http://www.computerarts.co.uk/blog/nail-your-final-year-exhibition-133686?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+computerarts%2Fnews+%28Computer+Arts+News+feed%29&utm_content=Google+Reader

The Self-Promo Handbook: win more work


The Self-Promo Handbook: win more work

The Self-Promo Handbook

The third in our six-part series of practical manuals, The Self-Promo Handbook is your definitive guide to winning more work – and it’s on sale now in the UK and online.

A strong skillset and stunning portfolio are no longer enough to guarantee your success. Whether you’re a freelance creative, studio owner or full-time designer, if you’re looking to grow your client list, win more work or climb the corporate ladder, you need to master the fine art of self-promotion.
Aside from giving your clients what they want, you’ll need a strong online presence, an arsenal of stunning print promo and a killer campaign strategy, so pick up a copy of The Self-Promo Handbook – 100 pages of practical tips and expert advice for standing out from the crowd.
From harnessing the power of word of mouth to developing a digital following and much more, this special issue from the makers of Computer Arts brings you everything you need to know to elevate your design status and catch the attention of the people who count. 
You’ll find The Self-Promo Handbook in WHSmiths in the UK or can buy a copy online.
See below for a glimpse of what’s inside...
Computer Arts Presents The Self-Promo Handbook
1. Brand yourself
As a design studio or agency, crafting your identity is often the logical first step in promoting your services – but defining your ‘brand’ can be a useful exercise for a freelancer too, helping cement your direction, fine-tune your communication methods and win more work. This chapter brings you everything you need to know.
 The Self-Promo Handbook, chapter one
Opening spread from chapter one: 'Brand yourself', illustrated by Hey Studio (www.heystudio.es)
2. Go digital
Develop a digital following with essential guidance on everything from how to make your site stand out and get SEO to work for you, to the best portfolio sites to have a presence on, building your brand with social media, effective e-newsletters and more.
 The Self-Promo Handbook, chapter two
Spread from chapter two, 'Go digital'
3. Powerful print promo
Drum up new business with a beautifully crafted piece of print promo and a few trade secrets – whatever your budget is.
4. Design killer campaigns
How to plan and execute a sharp self-promo campaign that will catch the attention of the right people. Plus: press releases that work, and how to gain exposure online.
 The Self-Promo Handbook, chapter four
Spread from chapter four, 'Design killer campaigns'
5. Word of mouth
Whether it’s vocal or viral, word of mouth is your most powerful method of promotion. Find out how to influence your clients into speaking out about your services in chapter five. You’ll also find invaluable insights into the art of networking and making your first impression count.
6. Increase your reach
Win more awards, exhibit your work, put on your own show and join forces with fellow creatives: this chapter covers a plethora of powerful ways to extend your industry reach.
 The Self-Promo Handbook, chapter six
Spread from chapter six, 'Increase your reach'
7. Get more from your agent
Representation by an agent can be a great way to take your design practice to the next level or move into overseas markets – but it’s not for everyone. From finding the right representation to agreeing terms, chapter seven helps you work with your agent to win more work.
8. Essential resources
All the crucial books, websites and cutting-edge promotional tools you need to elevate your profile – plus a handy reference guide to the kind of costs you can expect to pay.
Other mags in our Computer Arts Presents series...
If you’re thinking about going freelance – or are a seasoned freelance pro looking to crank your career up a notch – pick up a copy of The Freelance Handbook: 116 pages of practical tips and essential advice for being your own boss, from setting your rates and managing your time to getting noticed, winning work and more.
And if you're a design or illustration student, check out The Design Student Handbook – your definitive guide to breaking into the creative industry.
Julia Sagar
Julia is operations editor on Computer Arts magazine and editor of the Computer Arts Presents series. She once lost five bank cards in one month and has twice left her bike on the train (fortunately she got it back). She’s good at organising the Computer Arts crew, though.


http://www.computerarts.co.uk/blog/self-promo-handbook-win-more-work-133687?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+computerarts%2Fnews+%28Computer+Arts+News+feed%29&utm_content=Google+Reader

Freelancing: in case of emergency


Freelancing: in case of emergency

Freelancing: in case of emergency

What do you do when it all goes wrong? Chris Clarke explains how he deals with disaster

I once had to dash from a meeting in Clerkenwell to one at Oxford Circus. In my haste to catch the client, I didn’t turn the laptop off fully. Upon arrival, the laptop had been rattled so heavily on my back that the document I’d been working on was completely lost. I had to explain both why I was sweaty and late, and why the presentation did, and yet didn’t, exist. This client was flying the next day and I needed to get the laptop fixed overnight, but nothing ever runs as smoothly as you first plan, and I was delayed by two days. In the end I drafted in another freelancer to help me share the workload. But paying them, plus the cost of the repair and that of another client meeting, ended up being quite an expensive lesson for me.

Such lapses are sometimes unavoidable, but what can you do to help cushion the blow of the extraordinary? Without knowing the lunar calendar off by heart or flood levels in your nearest city, there is little you can do to prevent against natural occurrences. But you can be sensible, structured and organised with relevant file backups and insurance. A healthy level of dystopian fear is useful. And owning devices that enable you to communicate on the move, plus keeping as much work as safely as possible in cloud internet spaces, means you’re much more flexible to work anywhere.

Almost every studio that I’ve worked in has experienced a break-in and, after a fire in one, almost everyone commented that the saddest thing they lost was their archive of printed work. It’s always worth duplicating your folio between your studio and your home.

Freelancing doesn’t have sick pay and quite often I’ve found myself propped up on pain killers trying to see through my increasingly teary eyes. It’s not a healthy way to work, but where a certain level of art direction is already in place, I can outsource projects to freelancers. This relationship works well and also enables you to take time off sensibly when you’re due a holiday.

We’re all human, and sometimes the unavoidable does happen. If you do have to let a client down, offer solutions. If you’re engaged with the project, have kept your client updated throughout and have a strong enough relationship, the client will respect your professionalism. It’s also important to understand the gravitas of certain projects before even starting them. We can’t help the unavoidable, but we can be professional in dealing with it.

http://www.computerarts.co.uk/features/freelancing-case-emergency?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+computerarts%2Fnews+%28Computer+Arts+News+feed%29&utm_content=Google+Reader

Finding your firstrole in the web industry


Finding your firstrole in the web industry

Developer and lecturer Richard Askew lends his advice on finding work as a web designer

So you're learning all about web design and you've learnt about the entire process, including usability, accessibility, UX, prototyping, HTML and CSS. You've got your head around the importance of responsive design and you can reel off most of Nielsen's heuristics. What now? You need a job. But how are you going to get the job you want?
You've scoured all the job websites and most, if not all, ask for that dreaded thing: experience. Never fear! I’m going to give you a few hints and tips to get your foot in the door so you can let your charm, personality and passion do the rest.

Create a portfolio site

The most obvious step is to create a portfolio site. It doesn’t need to be groundbreaking but you need something to say, 'This is me'. I’ve interviewed many potential designers and developers over the years and when I asked for links to their websites you wouldn’t believe the number of blank stares that met me. The fact is that if you haven’t made the effort to create a personal site then it kind of implies that your heart isn’t in it and you don’t have passion for the industry.
It doesn’t need to be a meticulously handcrafted one either. Whether it be a website based on blogging tools such as Wordpress, Tumblr or even a simple account on a standalone platform such as Dribbble, Behance or (for you coders out there) GitHub, you need somewhere to direct potential employers and the wider web development community.

You get the work you do

“You get the work you do” is the single most important advice I was ever given, and it was some time after I had got my first job. It is the one piece of advice I give all those that ask about getting into the industry. I saw Matt Brown, then at BERGspeak about what drove him and BERG and this is what stood out. The point is, if you want to design websites for a living, you won’t get hired unless you are designing websites. If you want to work as a coder, you won’t get hired unless you are coding. If you want to design characters for a film, well you get the idea.
It worked for Matt; he's now part of the Human Interface Device Prototyping group at Apple.

Become part of the community

There are essentially two communities you belong to: the online development community, the local development community and, in some cases, those circles intersect. Every area in the UK will have local groups that are designed to bring the local development community together. These allow you to learn from others, make contacts and even form partnerships to win work. We've created one in Scarborough called Digital Coast. You just have to ask around, pluck up the courage to get involved and I guarantee you will be welcomed with open arms. Put it this way, I got my current job by mixing in these circles.
The online community can be a double-edged sword. In one sense the access you have to the industry's leading minds is incredibly exciting. On the other hand, getting noticed is difficult. When looking for work, the best thing to do in the first instance is to learn from the people you follow on Twitter. They are going through the same issues as everyone else and they may even give you tips on how to deal with these in the future. Once you get comfortable I wouldn’t be tempted to use it as a platform to say “Look at me” but instead to get involved in debate, retweet good points and make sure you have input on things you have opinions on.

Find work

First of all, a note about recruiters. The web industry is very hard on these people. We need to remember how lucky we are to be actively pursued by people who want to employ us. With that in mind though, try to bear in mind that it's their job to big you up, make you feel important and they are probably doing the same thing to multiple candidates. Work with them, be honest and only go for jobs that you really want to do. Don’t copy and paste an application to every job in the list on job sites.
A better method, although it seems more time consuming, would be to highlight a few companies in the local area that you would like to work for. Learn about them and either wait for a vacancy to come up or send them a letter explaining why you would like to work for them. You will instantly stand out from the crowd and even if there isn't a role for you now, there may be in the near future.

Most importantly of all...

Have fun. Have fun talking about it, building and making things. You're going to be doing this for many years and time flies when you're having fun.

http://www.netmagazine.com/opinions/finding-your-first-role-web-industry