Tuesday, 28 February 2012

How To Recruit A UX Designer

The Web has entered an era of user-centricity. If businesses are to attract new customers and retain existing ones, they must create websites and apps that deliver intuitive and tailored experiences. Whether you run an online retailer or a not-for-profit community website, the user experience is mission critical.
As a consequence, we have seen a real surge in the need for talented user experience (UX) designers who can help turn vision into reality. How do you attract, recruit and retain UX talent in your business?
Hiring a UX Designer 4
(Image credit: openwourceway 5)
If you are anything like us, you’ll be keen to learn from leaders and innovators in our industry, which is why we’ve assembled some luminaries from the UX community to share their insight and experience especially with the Smashing Magazine community.
We’d like to say a big thank you to the experts who made this guide possible. They all have a unique perspective on UX, and their work intersects with it in very different ways.
We asked each of our experts 10 questions. Their perspectives give you a 360° view of how they tackle UX recruitment in their organizations. Jump to the section that grabs your attention, or read through the complete guide for all of their insights.

The Questions

  1. How did you learn to hire?
  2. Do you hire with your head or your heart?
  3. In a sentence, what makes for a great UX designer?
  4. How do you advertise UX positions in your company?
  5. What one question do you ask every candidate?
  6. Do you have a particular method of assessing candidates?
  7. Do you hire based on years of experience or achievements and portfolio?
  8. How do you retain talent?
  9. What kind of culture do you try to create?
  10. What skills would you like to see in more UX designers?

1. How Did You Learn To Hire?

Very few people would say they’ve “learned” how to hire, because this would imply that they’ve stopped learning, and of course we all continue to learn every day.
Many of the experts I spoke with continually develop and hone their hiring skills, but their advice hinges on three principles.

Find a Role Model

Tom Wood of Foolproof: “My role model is David Ogilvy. He had a really clear and public view about the qualities he looked for in the people he hired. His quote, ‘If we each hire people smaller than us, we will become a company of dwarfs, but if we each hire those larger than ourselves, we will become a company of giants,’ is a call for everyone in a position to make a point to step up and challenge themselves through the quality of people they hire.”
Martin Belam of The Guardian: “I’ve been on a lot of interview panels through the years and picked up techniques from people such as Mags Hanley, Lorna Leddon and Karen Loasby.”

Learn From the Experiences and Mistakes of Others

Justin Cooke of Fortune Cookie: “Like everything we do at Fortune Cookie, we have never stopped trying to improve our recruitment process. This was achieved by learning from mistakes, through experience and from others particularly asking recruitment agencies and candidates for feedback on how we could be better.”

Find Your Feet

Ultimately, you need to blaze your own hiring trail and go with your instinct. As Kara Pernice of the Nielsen Norman Group emphasizes, “Asking advice from other people who have successfully hired behooves you, but there is nothing like experience.”
Peter Merholz of Adaptive Path says, “I rely a lot on intuition, which has proven mostly successful.”

2. Do You Hire With Your Head Or Your Heart?

Logic and instinct both have their place in the hiring process, and the decision will nearly always be made partly with your head and partly with your heart.
You will likely use your head to determine whether the candidate has the requisite skills, experience and attributes. And then to a certain extent you need to follow your heart and your instinct in deciding whether a candidate is a good fit for your culture.
The experts I spoke with validated this idea, explaining that they initially look at hiring from a rational point of view.
Justin Cooke: “At the first stage we look for the rational, but the ultimate decision has to be based on an emotional connection.”
Peter Merholz sums this up perfectly: “I would say the head is the initial barrier — if I can’t rationalize the hiring decision, then it won’t go anywhere. But after the head makes a decision, the heart plays a part, particularly in thinking about ‘softer’ matters, like personality and cultural fit.”
Stu and Odette: “It’s a balance of finding a person with the right attitude and personality, twinned with skills needed to do the actual job.”
Kara Pernice: “Both, but you have to know you can deal well with each other. And I usually get that feeling from my gut rather than my brain.”
Ultimately, the final decision comes from your head because, as Tom Wood explains, “If you make a mistake with hiring in a small or medium-sized business, you can cause real problems for yourself.”

3. In A Sentence, What Makes For A Great UX Designer?

If you don’t know what you are looking for, you will never know when you’ve found it. Nowhere is this philosophy truer than with hiring.
A real appreciation not only of what makes a superb UX designer but of what kind of person you are looking for is essential if you are to recruit successfully.
What makes a great UX designer is, of course, a matter of opinion, but there is a consensus that a UX designer must, in the words of Martin Belam, “make good stuff and make stuff good.” They must have an ability to interpret and empathize with the user, to simplify the process and to execute a design solution.
Peter Merholz: “An ability to take an empathetic view of the user, and to interpret that into a systematic design solution.”
Justin Cooke: “Someone who can make the complex simple, beautiful and ever so slightly fun.”
Stu and Odette: “Someone with the passion and curiosity to constantly learn more about how people interact with digital products.”
Kara Pernice: “Great UX designers have a desire to innovate and gather knowledge about potential users and customers, and the humility to know that their first design iterations will rarely be great.”
Tom Wood: “The willingness to collaborate with both the end user and the business client during the design process.”

4. How Do You Advertise UX Positions In Your Company?

There is a clear shift in the way UX roles are being advertised, in line with the increasingly social nature of the Web. Interestingly, Stu and Odette still succeed in finding candidates through specialist recruitment agencies, despite the perceived decrease in their popularity.
Here’s how our panelists fill their UX vacancies.
Tom Wood: “Our site, amplified by Twitter and LinkedIn activity.”
Kara Pernice: “We have the luxury of having our boss write a newsletter that reaches many UX professionals, so that is our biggest marketing tool when hiring. It works for us because people who read the newsletter have a sense of what we are about.”
Peter Merholz: “We have our ‘Work with us’ page on adaptivepath.com, and then we reach out through various channels to spread the word: Twitter, our blog, LinkedIn, UX industry mailing lists.”
Martin Belam: “We have our own recruitment portal site, and I usually tweet and blog in a personal capacity to help drum up candidates.”
Justin Cooke: “On the Fortune Cookie website, on LinkedIn, on totaljobs.com, on industry websites like Econsultancy and BIMA, at events and conferences, and through our employees, who receive a bounty to anyone they recommend who we hire.”
Stu and Odette: “UX Jobs Board and specialist recruitment consultancies.”

5. What One Question Do You Ask Every Candidate?

One thing that is universally agreed on is that there is no “right” way to interview someone, so I asked this question of our experts to see if we could at least draw out common themes.
Martin Belam asks of candidates, “Can you describe to me a project that when badly wrong. Why did it go wrong, and what did you personally learn from it?”
Failure is a topic that is all too often avoided in interviews, but a question like this helps the interviewer understand how a candidate copes with failure — failure being inevitable in any career. It helps you determine whether they are capable of humility and also to see how they have professionally developed as a result of failure. This seemingly innocent question can tell the interviewer a great deal about the candidate.
Justin Cooke: “What is the most amazing thing you have seen on the Internet this month?”
Justin’s is a great question to ask because it helps you understand if the candidate is as passionate as they say they are. (Do they keep up with the latest trends, or do they just say they do?) It also helps you to see the kinds of things that they get excited about; the question might just reveal whether the individual is a good cultural fit for your team and the kinds of projects you do.
Peter Merholz: “What is the thing that gets you out of bed every day and wanting to do this kind of work?”
As an interviewer, you undoubtedly want to understand the motivations of the person you are speaking with. After all, motivation is the key to a happy, productive workforce.
That being said, if you flat out ask a person what motivates them, they’ll probably lie to you with the usual interview spiel about their satisfaction in doing a good job.
Asking someone what gets them out of bed every morning is a roundabout way of asking the same thing, but you’ll catch the individual on the hop, and they’ll probably give you a more honest answer than had you asked what motivates them.
Finally, Tom Wood always asks people about their ambitions, “to see if they will push themselves — and us.” This is a superb question and allows you to determine whether the person has planned their professional life in the near and long term or are just plodding.

6. Do You Have A Particular Method Of Assessing Candidates?

Assessing a candidate’s suitability for a job is certainly one of the most, if not the most, challenging aspects of hiring, so understanding how the best in the business do it is helpful.
Some clearly like to go the practical route and judge a candidate by assigning them a task during or following the interview. Justin Cooke says, “Nothing beats setting a task. The output is always fascinating.”
Kara Pernice allows candidates to do most of the talking and gives them simulations to perform, “such as, give a short presentation and send us the video. This can’t truly demonstrate how they would do, but it’s a start. Sometimes we agree with a candidate to first test the waters by hiring them on a contract basis or as an intern. If we are all happy and still interested in the end, we hire them.”
Peter Merholz, Martin Belam and Stu and Odette feel that the process is fairly simple and that a candidate can be assessed based on their credentials and personality. Peter Merholz says, “It’s pretty straightforward: do they have the practitioner chops (across strategy, research and design), and do they have the right personality and cultural fit?”
Martin Belam adds, “I expect anyone in UX to have a significant online presence, and I’m always surprised if they don’t.”
To anyone reading this who is seeking a career in UX, a strong online presence is definitely a prerequisite.

7. Do You Hire Based On Years Of Experience Or Achievements And Portfolio?

I was surprised by the responses to this question. I assumed the quality of the portfolio would weigh more heavily every time, but that wasn’t the case.
Tom Wood responds, “Of the two, experience is probably the one I favor most, simply because anyone can catch a break on the projects they work on and the results they get (success has a thousand fathers, after all). Because of the emphasis we place on working directly with clients and end users, there’s often no substitute for the life experience that makes you comfortable in the company of these groups.”
However, Stu and Odette says, “The latter. You can get people who have been in the industry 10+ years and still haven’t produced good design work.”
Peter Merholz adds that his company generally favors the portfolio, but “if we’re hiring for a more senior role, where things like client-management skills are crucial (and perhaps even more crucial than super-awesome design chops), then experience definitely is a factor.”
Martin Belam supports this by saying, “I think in any team you need a mix of skills and experience. I enjoy mentoring people and bringing younger people into the profession, so I look more at what I think people will be capable of achieving and how they will go about it, rather than years of experience and qualifications.”
Justin Cooke adopts a completely different approach, saying “Years of experience and portfolios are useful inputs and metrics, but we are more interested in a candidate’s answers to our questions and their response to the task that we set.”

8. How Do You Retain Talent?

To someone outside of the UX community, talent retention might not seem like a critical issue, given the state of the economy and how many people are looking for work. But UX is a fiercely competitive market, with agencies and consultancies vying for the attention of the right UX folks.
The level of attention given to talent retention by the people I spoke with is fascinating. Here are what seem to be the key factors in retaining the best UX designers.

Opportunity

Kara Pernice: “We try to give people opportunities they are interested in.”

Self-Actualization

Tom Wood does it “by thinking every day about what motivates our people and making sure we do everything we can to help them realize their personal goals and ambitions. Beer also helps.”

Autonomy

Peter Merholz: “There is no UX consulting firm that allows the autonomy and freedom that Adaptive Path provides. Also, our commitment to sharing ideas, through writing, speaking and teaching, is unparalleled and attractive to our team.”

Professional Development and World-Class Training

Justin Cooke swears by “never saying no to a training request; employing brilliant leaders; listening to everyone’s ideas and auctioning them to make us a better agency; continually communicating how we are doing; starting at 10:00 am; tracking the market to ensure that our salary and benefits packages are among the best in the industry; and ensuring that we understand everyone’s career goal and mapping out a plan to make it a reality.”

Breathing Room

Stu and Odette: “We’re a pleasure to work with, and we only focus on a set number of projects, so as not to stretch people too far. The quality goes down if you do.”

9. What Kind Of Culture Do You Try To Create?

This question follows on the last one, because culture is obviously central to talent retention, and there are clear crossovers between the answers to the previous question and how this filters down through the culture that these leaders are trying to promote.
“Constellations are more interesting than individual stars.” This is the eloquent way in which Tom Wood describes the team culture he is trying to foster.
Justin Cooke supports the notion of a team culture by adding, “We are aiming to create a passionate team that cares for each other and is 100% committed to improving the digital world to make the real world a better place.”
Kara Pernice focuses more on the individual, describing the culture that she is trying to foster as being more autonomous, with “professionals producing high-quality, rigorous work that improves design for clients and UX professionals.”

10. What Skills Would You Like To See In More UX Designers?

I was most looking forward to hearing the responses to this question, not only for the insight, but also because they will help job seekers hone their skills in the most sought after areas.
The thing many of the experts seem to be looking for is holistic in nature — a well-roundedness more than particular design skills.

Client-Facing Skills

Tom Wood describes the need for more charming UX designers, who are “comfortable thinking in the same room as clients.”

Strategic Thinking

Justin Cooke looks for “a stronger understanding and awareness of the entire customer journey; a desire to improve the entire service rather than just the experience, and brilliant good storytelling.”
Stu and Odette add, “The ability to pragmatically design for digital products, rather than being able to talk solely about UX in general. Our industry is suffering from too many talkers and not enough walkers.”

Research Ability

Martin Belam says, “I wish people would read more widely, and more about some of the traditional design skills.”

Facilitation

According to Peter Merholz (and I tend to agree here), “Facilitation skills are becoming increasingly crucial in our work; being able to coordinate cross-functional teams and get the most and best out of them.”

Summary

UX is a hard skill to teach; no formal credentials are required, and no two career paths or job descriptions are the same. In fact, pinning down exactly what UX is can be difficult. It can mean different things to different people. Some UX design positions require only graphic design skills, others mainly planning and wireframing. Most, however, require a combination of design, planning, negotiation, conflict management, objectivity, leadership and openness. Above all, a good UX professional must have a natural appreciation of the human mind and be open to new attitudes and approaches and to exploring the impact of real people on the commercial environment around them.
Recruiting and hiring great UX professionals can be both challenging and fun. Quite often, the “right” person will be wildly different from the person you initially expected, and skill, judgement and intuition are required to pick them out.
One thing is for sure, though: UX skills are in high demand and short supply. It’s a candidate’s market, and companies need to try now more than ever to attract and retain the best minds in the field if they are to succeed online.
http://uxdesign.smashingmagazine.com/2012/02/16/how-to-recruit-ux-designer/

Finding new freelance opportunities

Designer and illustrator Sasha Prood explains how she’s growing her freelance career this year

Expanding the breadth of the projects I’m working on is a constant goal. My work has the potential to be marketable to a diverse range of clients from various industries – food, weddings, kids, men’s fashion and so on. I think it’s important to develop as broad a clientele as possible because it will enable my freelance business to become more and more consistent.

I promoted myself in a variety of ways this year and I’m planning to continue these approaches in 2012. I mailed out postcards to promote my illustration and lettering work, primarily directing these to magazines, and I also sent emails about my newly launched Print Shop to bloggers. I’m selling a selection of prints; it’s a new realm that I hope to further develop.

This year, my goal is to develop a body of work that can be presented as a solo exhibition. I also plan to develop a fully illustrated and hand-lettered book of my work, but that’s still an idea in progress right now. I’ve recently joined The Adam & Eve Projects, where a large variety of artists in different fields post about new, exciting happenings in their career and beyond. For a non-blogger, this is a nice alternative: it’s great for someone who wants to post regularly but not necessarily daily. I also plan to update my Behance portfolio more regularly, and of course it’s vitally important to keep my personal portfolio site as up-to-date as possible.

My approach to promoting myself is to participate in almost every opportunity that comes my way, so long as I can complete the task to my standards in the time available. I try to do every interview, contribute to every publication and be part of every project I’m offered. You just never know what new audience each opportunity could open up.
http://www.computerarts.co.uk/features/finding-new-freelance-opportunities?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+computerarts%2Fnews+%28Computer+Arts+News+feed%29&utm_content=Google+Reader

Mobile Gaming Gets a Performance Boost: Adobe AIR 3.2 with 2D and 3D Hardware Acceleration Announced

http://blogs.adobe.com/flashplatform/2012/02/mobile-gaming-gets-a-performance-boost-adobe-air-3-2-with-2d-and-3d-hardware-acceleration-announced.html

Ten great free education apps for the iPad

http://www.independent.co.uk/student/student-life/technology-gaming/ten-great-free-education-apps-for-the-ipad-6297153.html

Unemployed graduates should keep busy to improve job prospects

  Many graduates face the all too common disappointment of being unemployed once their studies finish. They invest large sums of money to further their education with a qualification, but find that they come out of their degree with no full-time job.
According to research conducted by the Higher Education Careers Services Unit, the unemployment rate among graduates from London, typically the highest in the country, reached 10.7 per cent in 2010, up from 7.5 per cent just three years earlier. It is no secret that job hunting can be tiresome and demotivating, unless there is something to keep busy with.
There are several different ways a graduate can fight off the depression of being unemployed while simultaneously improving their chances of landing the right job. One thing that all disenchanted graduates should certainly do is get work experience, even if unpaid.
Mark, an animation graduate from Newport University, was dissatisfied with his job at an insurance firm, which although not in his field of study, helped him pay off his student loans. Two years into the job, he decided to quit and travel abroad for a year. He had many exciting experiences, but when he returned home, he found that job prospects in animation had become even scarcer. “It was quite hard at first trying to look for paid work,” he says, “so I just looked for unpaid internships and work experience opportunities instead. It was difficult because I’m based in Devon, but a lot of animation companies are based in London. I worked for free at a small local company, travelling up to two days a week, and just one month ago they started paying me a modest salary as a freelancer.”
Mark has also been spending his spare time working on animation projects with his friends. “Last year, we read about a competition for a short animation video and decided we’d enter,” he says. While Mark and his teammates did not win the competition, they are still working on projects together in their spare time. “At least I get to add them to my show reel. I suppose it’s a lot better than doing nothing. If I’m at an interview and they want to know why there’s a gap in my job history I can say: ‘There is no gap. Look at what I worked on.’”
Most industries also have professional societies dedicated to helping students and graduates trying to kick-start their careers.
Samantha Smith, a graduate of Kingston University who studied an MA in creative writing and publishing, decided to join the Society of Young Publishers when she realised she needed to expand her network to enhance her job search. “I wasn’t sure what would happen as I went to my first networking event,” she says, “but everyone turned out to be very friendly. Luckily, I knew someone at the event and she introduced me to her peers in the publishing industry. When I got over my initial fears, I had met some very interesting people, to whom I spoke extensively about the different paths I could use to enter the publishing industry. Some of them even encouraged me to send them my CV for potential work experience opportunities.”
But publishing isn’t the only industry where recent graduates can take advantage of career networking opportunities. Sam Williams, a computer science student at Kingston University, recently discovered the British Computer Society, which holds weekly lectures on the industry. “At each weekly event, there’s a specific time for tea and conversations. Everyone wears nametags so there’s an opportunity to talk to the attendees and make new acquaintances before the actual lecture,” Williams comments after attending his second event. “Lectures also tend to be quite interactive, involving the audience by encouraging them to ask questions. After the talks, the speakers are quite approachable so attendees can easily walk up to them to learn more.”
“BCS was recommended to me by my university lecturers,” Williams says. “In my field it’s a recognised professional body, so I can get chartered through them. You have to be a member to get chartered.”
Professional bodies are not only useful for networking; they often offer extra qualifications and exclusive job postings. There are currently more than 270 professional bodies in the UK across 34 industry sectors, ranging from accountancy to transport and logistics. “It’s such a great opportunity to broaden one’s network of contacts,” Williams says. “At the end of the day, those are the people who might offer you your first job – so it’s very important to always strive to make the best impression.”
http://www.independent.co.uk/student/postgraduate/postgraduate-study/unemployed-graduates-should-keep-busy-to-improve-job-prospects-7298728.html

How do I make the perfect presentation?


"Make sure you know what you are talking about," says Corrine Mills, managing director of Personal Career Management. "Otherwise you will be at the mercy of those who either know more than you or can sense your uncertainty."
"Decide on the key message you want to convey," adds Mills, who is also the author of Career Coach. "What do you want your audience to be thinking about or doing differently as a result of your presentation? Tailor your slides accordingly."
Don't jump straight to your computer, though. Make a simple paper design with your objective and notes on what you want each slide to say.
For most presentations, PowerPoint or another basic presentation program will be suitable, but if you want to wow your audience, consider a content-rich program such as Prezi (prezi.com).
Prezi is entirely Flash-based and lets you break away from the slide-by-slide approach to create non-linear presentations where you can zoom in and out of visual maps containing words, links, images and videos
But don't get carried away with the technology. Knowing what to leave out is crucial. What is not on a slide is just as important as what is.
"Remember to double check your technology to avoid an embarrassing glitch," says Mills. "And bring a back-up copy on a disk or USB stick."
Be professional on the day. How you carry yourself is crucial, explains Mills. "I once sat through a presentation where the presenter brought a Tesco carrier bag full of shopping and sat clutching it on her lap the whole time."
http://www.independent.co.uk/student/career-planning/getting-job/how-do-i-make-the-perfect-presentation-6294577.html

You don't have to be Apple CEO Tim Cook to blow people away with a presentation:

Friday, 10 February 2012

The hidden benefits of volunteering for students and graduates

from PDP Support by Beverley Haywood
Students and graduates who undertake volunteering projects do not just get the opportunity to develop and evidence their employability skills; these opportunities can inspire and motivate as well as improve self-confidence and self-belief.
An article in the Graduate Recruiter* provides quotes from employers and participants of the Raleigh's international volunteering:
Richard Reed, co-founder of Innocent Drinks says,
"The people at Innocent who have previously done Raleigh expeditions have greater confidence, enthusiasm and a belief in what can be achieved that motivates both themselves and others around them. When I am recruiting I am looking for something special in people and that is what they get from Raleigh: the gene for ingenuity."
A graduate with a degree in Architecture had applied for over 40 architectural jobs, unsccessfully. Three months after returning from Raleigh he was offered a position with Foster + Partners.
"As important as they are on expedition, skills such as survival, medical, radio and dive training weren't the most important lessons that Raleigh taught me. It was actually the frame of mind, my sense of purpose and achievement and my attitude that anything is possible - that is what has really helped. Working together with people of all nationalities and knowing that your limit is always that little further in front was a great experience."
*Issue 55 Graduate Recruiter, Publisher Association of Graduate Recruiters

How to get your first job

Whether you’re a student or recent graduate, a designer or developer, it can be hard to break into the web industry. Rachel Shillcock shares her top tips on making your mark
This article first appeared in issue 222 of .net magazine - the world's best-selling magazine for web designers and developers.
When I was about eight years old I wanted to be a vet. Then I wanted to be a superstar or a princess. While I flitted from one fantasy job to another, my mum always reminded me to have proper plans in place. At the time, I didn’t pay much attention, but her advice started to make more sense when I tried to get my first job after graduating with a HND.
Anyone starting out in the industry should be able to relate, and will know one thing – it’s harder to get a job than you first thought! There’s only so much an education can give you. Often, it doesn’t provide you with the right skills to enter the workplace. Entering the ‘real world’ can be difficult – not knowing where to start and being in an oversaturated industry like ours, it’s almost impossible to stand out from the crowd. It’s important to remember, though, that you won’t just ‘make it’. As clichéd as it may sound, to succeed takes more hard work and dedication than you could ever imagine.
Do the groundwork
Your portfolio is the most important asset you’ll have. Think of it as your magic weapon. But, of course, a selection of brilliant pieces doesn’t just appear. You have to graft to get it. Find as much work experience as you can. Do placements at as many agencies as possible, work for charities and – although it can be difficult – offer to do some unpaid projects for exposure.
The more experience you can get, the more your portfolio will expand. But it’s not just about the work. After all, what good is a project if nobody knows about it? In this day and age, it’s hugely important to create an online presence too. Having a website is almost a matter of course for designers nowadays, so it’s important to have somewhere online that you can present your work. If you don’t, you could be missing out on catching that amazing assignment or job offer.
An online presence doesn’t just stretch to a website, though. Use social networking to your advantage as well. Talk to and interact with people, post about your work and then chat a little more. At the same time, it’s important to find the specific social channel that works for you.
I started using Twitter in February 2009 and I now have more than 1,600 followers. Some of the time I wonder why people would want to see me discuss web design, photography, WordPress and coding among more selective subjects such as cute animals and how I always manage to pick the wrong clothing for a terribly wet day. Over the years, though, I’ve realised that it’s not always what you tweet about, it’s how you use the tool. I take the time to respond to everybody who sends me a message and I get to know my followers. It’s these important touches that will get you noticed – and remembered.
Get networking
But social networking doesn’t just mean getting as many followers, messages or ‘Likes’ as possible. When entering the industry, you need to be raising awareness of yourself and your work, and creating as many contacts as possible. Talk to people that you would only have dreamed of talking to before. I did the same and I’m now lucky enough to be able to call some of them friends.
As important as social networking is, it’s crucial not to hide behind the computer. As a graduate or student you should be full of enthusiasm, and let it show. Network at as many local events or conferences as possible. If you’re anything like me, I can guarantee you that it will absolutely terrify you at first. But the more you open yourself up to new experiences, the more likely you are to be able to make a name for yourself and get noticed.
The most important thing I can tell you, though, is this: love what you do. Pour everything you are into it and, eventually, you’ll be great.
http://www.netmagazine.com/opinions/how-get-your-first-job?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+net%2Ftopstories+%28.net+%29&utm_content=Google+Reader

How do I: Write the perfect CV?


It may translate as "course of life" but that doesn't mean your curriculum vitae should give an exhaustive summary of every aspect of your life including pages of interests, hobbies, irrelevant qualifications and every odd job you've undertaken since you were 11.
A survey by Careerbuilder.co.uk recently found that nearly one-third of British employers said they spend one minute or less reviewing a CV, so make it short and sharp, ideally no more than two pages long.
If the job is skills-based, consider a functional CV that lists your talents and qualifications first and includes job history nearer the end, detailing dates, positions and career achievements.
After your name and contact details, include a skills profile of two or three sentences in which you explain why you are right for the role. If you get this right, employers will read on to your biographical information below.
"It's crucial to make sure each and every CV you send off is relevant for the job you are applying for," says Corinne Mills, managing director of Personal Career Management and author of You're Hired! How to Write a Brilliant CV. "Do you homework and tailor each application accordingly."
"Nine out of 10 CVs I see have spelling errors or sentences that don't make sense," Mills says. "So make sure you get someone you trust to proofread yours for you. The easiest way to fail the paper sift is to misspell something in your opening paragraph."
And be sure to use plain text rather than any fancy fonts, layouts or formats in your document. Mills explains: "Most large employers and recruitment agencies use databases to automatically read CVs and if you get too creative with its format your attempt will fall at the first hurdle."
Likewise don't start your CV with the heading "curriculum vitae" as some software packages will read this as your name. "Start with your name and don't list your age or marital status. It's old-fashioned and will make your application look dated," Mills says.
http://www.independent.co.uk/student/career-planning/getting-job/how-do-i-write-the-perfect-cv-6263269.html

How do I: Make the perfect presentation?

You don't have to be Apple CEO Tim Cook to blow people away with a presentation:
"Make sure you know what you are talking about," says Corrine Mills, managing director of Personal Career Management. "Otherwise you will be at the mercy of those who either know more than you or can sense your uncertainty."
"Decide on the key message you want to convey," adds Mills, who is also the author of Career Coach. "What do you want your audience to be thinking about or doing differently as a result of your presentation? Tailor your slides accordingly."
Don't jump straight to your computer, though. Make a simple paper design with your objective and notes on what you want each slide to say.
For most presentations, PowerPoint or another basic presentation program will be suitable, but if you want to wow your audience, consider a content-rich program such as Prezi (prezi.com).
Prezi is entirely Flash-based and lets you break away from the slide-by-slide approach to create non-linear presentations where you can zoom in and out of visual maps containing words, links, images and videos
But don't get carried away with the technology. Knowing what to leave out is crucial. What is not on a slide is just as important as what is.
"Remember to double check your technology to avoid an embarrassing glitch," says Mills. "And bring a back-up copy on a disk or USB stick."
Be professional on the day. How you carry yourself is crucial, explains Mills. "I once sat through a presentation where the presenter brought a Tesco carrier bag full of shopping and sat clutching it on her lap the whole time."

http://www.independent.co.uk/student/career-planning/getting-job/how-do-i-make-the-perfect-presentation-6294577.html

Jobseekers jump ahead with work experience

A degree may show you know your theory, but experience in the workplace goes a long way to getting an employer to offer you a job
Not all advertising agency directors care whether their employees have been to university or not, just as long as they have talent. "Some of the best creatives in town were previously brickies or supermarket managers," claims Rob Fletcher, a creative partner at Isobel Advertising, an agency that offers an ongoing intern and placement programme. As it happens, most candidates knocking on his door are, in fact, graduates. "Usually with the word 'media' somewhere in their degree," he says. "But I've never asked to see any qualifications. We look for an eagerness and love for our industry; this can't be taught. If you're good, you will not leave."
Yet opportunities such as these are just what graduates need, say recruiters and universities, to toil at the coalface, have direct contact with clients and benefit from informal but effective training and mentoring from senior staff. Smaller companies, with placements and hands-on training, are an excellent place for graduates to start out.
This is all the more relevant when you consider the intense competition among Britain's leading employers. Applications for graduate jobs with the UK's top 100 "most prestigious graduate employers" have risen by 19 per cent for the 2011/12 recruitment round so far, according to The Graduate Market in 2012, a report published on 11 January by market analysts High Fliers Research. And graduates who have no work experience, even if they have top degrees, are unlikely to land a job with bigger employers, says High Fliers.
"They say you don't really learn to drive until you've passed your test," says Fletcher. "[Graduates] need to get out of the comfy confines of education and get a sense of what is really happening."
Last year, he hired a creative duo fresh out of their advertising design degree from the University of Salford. Spending time with the agency on a short placement, the pair helped win a client pitch in 2011. "At uni, you are always working to please the tutor and examiners, whereas in industry you are working to please clients and the creative director – and they're looking for different things," say Sam Mosley and Sarah Mullen, 24 and 23 respectively. "You might feel overwhelmed in a bigger agency; we've had really good mentors and got to be hands on with everything going – it's been a brilliant experience."
While the subject of unpaid internships remains contentious – they favour people from wealthier homes – they are worth it if you can afford it, says Soraya Pugh, head of graduate recruitment at Freshminds Talent. "I wouldn't recommend going somewhere just to fetch coffee and photocopy. A fantastic placement, even if it's unpaid, can do so much for you in the future." She is often asked for graduates who are "office and client-ready", possessing relevant IT skills and the emotional maturity to cope with colleagues, clients, not to mention the demands of a working week.
"Working 40 hours-plus in a work environment is very different from doing the 15 or so they might do at uni, and employers know this," says Simon Dolan, author of How To Make Millions Without a Degree, who has built a multi-million pound business empire despite having been thrown out of school at 16 with virtually no qualifications. He says graduates lack commercial acumen and the "humbleness to realise they will have to start at the bottom".
He advises job seekers to bypass university altogether. "Go and work in the industry. Maybe it won't be doing the job that you ultimately want but just being around, meeting people and absorbing what makes the business tick is a great way in."
Despite fierce competition, there is some good news – there will be more graduate opportunities in engineering, industry, IT and telecommunications, the High Fliers report says. And Pugh sees no evidence of graduate training budgets being cut. "In fact, there's a real emphasis on training and retaining good-calibre employees," she says. She recommends that graduates approach directors of start-ups and smaller companies directly for placements and employment. "The biggest mistake graduates make is not selling themselves directly to the company but talking instead about their needs. It's better to identify what the company needs and spelling out how you might help."
Switched-on universities and employers are responding to graduate needs for work experience with a range of innovative initiatives. Lancaster University Management School (LUMS) has set up a programme that mimics a nine-to-five working week before students undertake a one-year placement. Brunel Business School offers graduates free courses in practical skills, such as accounting systems. A new undergraduate and postgraduate programme at the London School of Business and Finance, the Trium programme, guarantees students a full-time, graduate-level position within six months of graduation. And the Arts University College at Bournemouth has partnered with visual effects company Framestore to open a studio on campus, which employs around 26 college graduates. City & Guilds offers more than 500 vocational qualifications, plenty of them relevant for graduates.
Wise students grasp the opportunity during their degree to find even casual work that will equip them with useful skills. Humaira Razzaq, a media and communications student at Birmingham City University, works as a brand ambassador for accommodationforstudents.com (AFS), a search engine that trains students for marketing roles. "It's taught me a lot about sales and marketing and social media, which has really increased my confidence in approaching people professionally," he says. AFS currently operates in 10 major universities and plans to expand to 25 next year.
While applications for postgraduate qualifications have been soaring in recent years, many smaller employers say that they simply want to have some sort of proof that graduates know what hard work is. As one director of a major conference centre says: "When hiring, I look for things such as whether they have survived a Reading festival or worked a ski season. That's enough proof of endurance, managing budgets and organisation."
http://www.independent.co.uk/student/postgraduate/mbas-guide/jobseekers-jump-ahead-with-work-experience-6294169.html