Monday, 5 March 2012

How to narrow down your career choices

Clare Whitmell explains how analysing market trends, digging out little-known options and being more experimental can help you make decisions about your career

If you don't have a clear career path mapped out in front of you, how do you go about choosing the right role or sector? Do you pursue your passion at all costs (regardless of the state of the industry), or do you fall into a career by accident?
Standard career advice is to identify your marketable strengths, along with your interests and values. Ideally, you can then match these to companies that need your skills and where you'd enjoy working.
But when so many traditional graduate roles seem to require the same sets of skills and attributes, identifying sectors, companies or roles becomes more difficult. Here are other ways to approach your career decision-making.
Analyse market trends
Entire sectors are changing, jobs are disappearing, and skills are becoming obsolete. Stay ahead of recruitment patterns and get an overview of which sectors are healthy, and which are predicted to shrink through surveys like this. Find out where companies are expanding, and which skills are in demand. Resources such as the Future Work Skills report are also helpful in identifying wider employment trends.
For example, a shift towards specialist skills is currently underway. In "The end of a job as we know it" the author argues that the concept of a job is beginning to disappear, to be replaced by a need for expertise. Employers look for values, skills and fit, rather than experience. For job seekers, this means that your long-term value and employability will depend on how much need there is for your specialist skills. Staying relevant means assessing and adjusting these, either through deepening them, or by turning them in new directions. Without a particular area of expertise, you'll find it harder to get work.
Consider less obvious choices
Your degree doesn't necessarily lock you into one career. In an article for Guardian Careers Jane Artess, director of research at the Higher Education Careers Services Unit, points out that around six in 10 graduates are recruited to jobs where their degree subject "was not the deal-breaker".
Explore a range of sectors and companies. Ask for informational interviews or a chance to work shadow; and read resources such as 'A working life' or the Guardian Careers insider guides to find out what jobs typically involve and what employers look for in their employees.
Don't discount smaller or mid-size companies, which can often expose you to a wider range of roles and responsibilities than larger companies.
Experiment
'Job hopping' isn't always a disadvantage - especially at the early stages of your career when you're still working out what you like or dislike in a job. Instead, consider all roles as an opportunity to deepen your skillset and expertise.
Take a more long-term view of your career, and don't feel obliged to commit your entire working life to one company or sector. Remember: what you want or need from a job will evolve, and you should review your needs and ambitions regularly.
Experiment with different types of employment. Don't turn down temporary work or short-term assignments that could give you an 'in' to a company, or the chance to work on an interesting project.

http://careers.guardian.co.uk/career-choices-jobs

Could your Facebook page ruin your job prospects?

Terrified of employers scouring their Facebook pages for signs of fecklessness, students have started deleting content and hiding their identity. Are they over-reacting?
But when our social bubble expands to involve our careers, Facebook stalking doesn't seem like such an carefree form of procrastination. With companies increasingly using social networking sites to check out potential employees, students are becoming more aware of the image projected by their online activity.
With the prospect of being released into the working world fast approaching, some of my friends have resorted to changing their profile names in an effort to keep their personal lives hidden. They aren't the kind of people who post explicit photographs, express extreme views, or exchange dubious jokes. So why are they feeling pressurised to conceal their identity?
Well, because companies really do reject candidates based on what Google reveals. A survey conducted by CareerBuilder found that the top reason employers reject candidates is for posting inappropriate photographs. Next on the list? Hosting content about alcohol or drug use. Clearly boasting about how many pints you downed last night isn't the wisest idea, but it seems even the most conscientious Facebook user could find themselves misjudged by a page they "liked" years ago.
With so many graduates chasing so few jobs, it's understandable that companies need to find ways to filter applications. So is it time to get rid of those potentially self-defamatory photos from freshers' week? Well, perhaps not.
A recent US study claims that Facebook users with a lot of friends – and even some partying photos – possess the jobworthy traits of being extroverted and friendly. And its findings, it says, are born out by how well the Facebook funsters perform at work.
Don Kluemper, professor of management at North Illinois University and leader of the study, says: "In five or 10 minutes, our raters could look at the tone of a subject's wall post, note the number of friends they have, peruse their photos to see how social they were and assess their tastes in books and music. It's a very rich source of information."
But rich source of information or not, scanning Facebook profiles can't be the most effective way to decide how successfully a candidate will perform in the workplace. The student who once participated in a pub-crawl dressed as a cowboy may also read extensively, volunteer at weekends, and possess a multitude of desirable traits that can't be gleaned from his profile pictures.
Ultimately, social networking sites are just that – social. Employers approaching them need to be aware that taking jokes out of context or viewing photos with an over-critical eye can lead to judgments that aren't representative of the whole individual. So why not steer clear of Facebook and assess candidates the tried-and-tested way: on how they come across in a professional context.

http://www.guardian.co.uk/education/mortarboard/2012/mar/05/can-facebook-ruin-job-prospects

Tuesday, 28 February 2012

How To Recruit A UX Designer

The Web has entered an era of user-centricity. If businesses are to attract new customers and retain existing ones, they must create websites and apps that deliver intuitive and tailored experiences. Whether you run an online retailer or a not-for-profit community website, the user experience is mission critical.
As a consequence, we have seen a real surge in the need for talented user experience (UX) designers who can help turn vision into reality. How do you attract, recruit and retain UX talent in your business?
Hiring a UX Designer 4
(Image credit: openwourceway 5)
If you are anything like us, you’ll be keen to learn from leaders and innovators in our industry, which is why we’ve assembled some luminaries from the UX community to share their insight and experience especially with the Smashing Magazine community.
We’d like to say a big thank you to the experts who made this guide possible. They all have a unique perspective on UX, and their work intersects with it in very different ways.
We asked each of our experts 10 questions. Their perspectives give you a 360° view of how they tackle UX recruitment in their organizations. Jump to the section that grabs your attention, or read through the complete guide for all of their insights.

The Questions

  1. How did you learn to hire?
  2. Do you hire with your head or your heart?
  3. In a sentence, what makes for a great UX designer?
  4. How do you advertise UX positions in your company?
  5. What one question do you ask every candidate?
  6. Do you have a particular method of assessing candidates?
  7. Do you hire based on years of experience or achievements and portfolio?
  8. How do you retain talent?
  9. What kind of culture do you try to create?
  10. What skills would you like to see in more UX designers?

1. How Did You Learn To Hire?

Very few people would say they’ve “learned” how to hire, because this would imply that they’ve stopped learning, and of course we all continue to learn every day.
Many of the experts I spoke with continually develop and hone their hiring skills, but their advice hinges on three principles.

Find a Role Model

Tom Wood of Foolproof: “My role model is David Ogilvy. He had a really clear and public view about the qualities he looked for in the people he hired. His quote, ‘If we each hire people smaller than us, we will become a company of dwarfs, but if we each hire those larger than ourselves, we will become a company of giants,’ is a call for everyone in a position to make a point to step up and challenge themselves through the quality of people they hire.”
Martin Belam of The Guardian: “I’ve been on a lot of interview panels through the years and picked up techniques from people such as Mags Hanley, Lorna Leddon and Karen Loasby.”

Learn From the Experiences and Mistakes of Others

Justin Cooke of Fortune Cookie: “Like everything we do at Fortune Cookie, we have never stopped trying to improve our recruitment process. This was achieved by learning from mistakes, through experience and from others particularly asking recruitment agencies and candidates for feedback on how we could be better.”

Find Your Feet

Ultimately, you need to blaze your own hiring trail and go with your instinct. As Kara Pernice of the Nielsen Norman Group emphasizes, “Asking advice from other people who have successfully hired behooves you, but there is nothing like experience.”
Peter Merholz of Adaptive Path says, “I rely a lot on intuition, which has proven mostly successful.”

2. Do You Hire With Your Head Or Your Heart?

Logic and instinct both have their place in the hiring process, and the decision will nearly always be made partly with your head and partly with your heart.
You will likely use your head to determine whether the candidate has the requisite skills, experience and attributes. And then to a certain extent you need to follow your heart and your instinct in deciding whether a candidate is a good fit for your culture.
The experts I spoke with validated this idea, explaining that they initially look at hiring from a rational point of view.
Justin Cooke: “At the first stage we look for the rational, but the ultimate decision has to be based on an emotional connection.”
Peter Merholz sums this up perfectly: “I would say the head is the initial barrier — if I can’t rationalize the hiring decision, then it won’t go anywhere. But after the head makes a decision, the heart plays a part, particularly in thinking about ‘softer’ matters, like personality and cultural fit.”
Stu and Odette: “It’s a balance of finding a person with the right attitude and personality, twinned with skills needed to do the actual job.”
Kara Pernice: “Both, but you have to know you can deal well with each other. And I usually get that feeling from my gut rather than my brain.”
Ultimately, the final decision comes from your head because, as Tom Wood explains, “If you make a mistake with hiring in a small or medium-sized business, you can cause real problems for yourself.”

3. In A Sentence, What Makes For A Great UX Designer?

If you don’t know what you are looking for, you will never know when you’ve found it. Nowhere is this philosophy truer than with hiring.
A real appreciation not only of what makes a superb UX designer but of what kind of person you are looking for is essential if you are to recruit successfully.
What makes a great UX designer is, of course, a matter of opinion, but there is a consensus that a UX designer must, in the words of Martin Belam, “make good stuff and make stuff good.” They must have an ability to interpret and empathize with the user, to simplify the process and to execute a design solution.
Peter Merholz: “An ability to take an empathetic view of the user, and to interpret that into a systematic design solution.”
Justin Cooke: “Someone who can make the complex simple, beautiful and ever so slightly fun.”
Stu and Odette: “Someone with the passion and curiosity to constantly learn more about how people interact with digital products.”
Kara Pernice: “Great UX designers have a desire to innovate and gather knowledge about potential users and customers, and the humility to know that their first design iterations will rarely be great.”
Tom Wood: “The willingness to collaborate with both the end user and the business client during the design process.”

4. How Do You Advertise UX Positions In Your Company?

There is a clear shift in the way UX roles are being advertised, in line with the increasingly social nature of the Web. Interestingly, Stu and Odette still succeed in finding candidates through specialist recruitment agencies, despite the perceived decrease in their popularity.
Here’s how our panelists fill their UX vacancies.
Tom Wood: “Our site, amplified by Twitter and LinkedIn activity.”
Kara Pernice: “We have the luxury of having our boss write a newsletter that reaches many UX professionals, so that is our biggest marketing tool when hiring. It works for us because people who read the newsletter have a sense of what we are about.”
Peter Merholz: “We have our ‘Work with us’ page on adaptivepath.com, and then we reach out through various channels to spread the word: Twitter, our blog, LinkedIn, UX industry mailing lists.”
Martin Belam: “We have our own recruitment portal site, and I usually tweet and blog in a personal capacity to help drum up candidates.”
Justin Cooke: “On the Fortune Cookie website, on LinkedIn, on totaljobs.com, on industry websites like Econsultancy and BIMA, at events and conferences, and through our employees, who receive a bounty to anyone they recommend who we hire.”
Stu and Odette: “UX Jobs Board and specialist recruitment consultancies.”

5. What One Question Do You Ask Every Candidate?

One thing that is universally agreed on is that there is no “right” way to interview someone, so I asked this question of our experts to see if we could at least draw out common themes.
Martin Belam asks of candidates, “Can you describe to me a project that when badly wrong. Why did it go wrong, and what did you personally learn from it?”
Failure is a topic that is all too often avoided in interviews, but a question like this helps the interviewer understand how a candidate copes with failure — failure being inevitable in any career. It helps you determine whether they are capable of humility and also to see how they have professionally developed as a result of failure. This seemingly innocent question can tell the interviewer a great deal about the candidate.
Justin Cooke: “What is the most amazing thing you have seen on the Internet this month?”
Justin’s is a great question to ask because it helps you understand if the candidate is as passionate as they say they are. (Do they keep up with the latest trends, or do they just say they do?) It also helps you to see the kinds of things that they get excited about; the question might just reveal whether the individual is a good cultural fit for your team and the kinds of projects you do.
Peter Merholz: “What is the thing that gets you out of bed every day and wanting to do this kind of work?”
As an interviewer, you undoubtedly want to understand the motivations of the person you are speaking with. After all, motivation is the key to a happy, productive workforce.
That being said, if you flat out ask a person what motivates them, they’ll probably lie to you with the usual interview spiel about their satisfaction in doing a good job.
Asking someone what gets them out of bed every morning is a roundabout way of asking the same thing, but you’ll catch the individual on the hop, and they’ll probably give you a more honest answer than had you asked what motivates them.
Finally, Tom Wood always asks people about their ambitions, “to see if they will push themselves — and us.” This is a superb question and allows you to determine whether the person has planned their professional life in the near and long term or are just plodding.

6. Do You Have A Particular Method Of Assessing Candidates?

Assessing a candidate’s suitability for a job is certainly one of the most, if not the most, challenging aspects of hiring, so understanding how the best in the business do it is helpful.
Some clearly like to go the practical route and judge a candidate by assigning them a task during or following the interview. Justin Cooke says, “Nothing beats setting a task. The output is always fascinating.”
Kara Pernice allows candidates to do most of the talking and gives them simulations to perform, “such as, give a short presentation and send us the video. This can’t truly demonstrate how they would do, but it’s a start. Sometimes we agree with a candidate to first test the waters by hiring them on a contract basis or as an intern. If we are all happy and still interested in the end, we hire them.”
Peter Merholz, Martin Belam and Stu and Odette feel that the process is fairly simple and that a candidate can be assessed based on their credentials and personality. Peter Merholz says, “It’s pretty straightforward: do they have the practitioner chops (across strategy, research and design), and do they have the right personality and cultural fit?”
Martin Belam adds, “I expect anyone in UX to have a significant online presence, and I’m always surprised if they don’t.”
To anyone reading this who is seeking a career in UX, a strong online presence is definitely a prerequisite.

7. Do You Hire Based On Years Of Experience Or Achievements And Portfolio?

I was surprised by the responses to this question. I assumed the quality of the portfolio would weigh more heavily every time, but that wasn’t the case.
Tom Wood responds, “Of the two, experience is probably the one I favor most, simply because anyone can catch a break on the projects they work on and the results they get (success has a thousand fathers, after all). Because of the emphasis we place on working directly with clients and end users, there’s often no substitute for the life experience that makes you comfortable in the company of these groups.”
However, Stu and Odette says, “The latter. You can get people who have been in the industry 10+ years and still haven’t produced good design work.”
Peter Merholz adds that his company generally favors the portfolio, but “if we’re hiring for a more senior role, where things like client-management skills are crucial (and perhaps even more crucial than super-awesome design chops), then experience definitely is a factor.”
Martin Belam supports this by saying, “I think in any team you need a mix of skills and experience. I enjoy mentoring people and bringing younger people into the profession, so I look more at what I think people will be capable of achieving and how they will go about it, rather than years of experience and qualifications.”
Justin Cooke adopts a completely different approach, saying “Years of experience and portfolios are useful inputs and metrics, but we are more interested in a candidate’s answers to our questions and their response to the task that we set.”

8. How Do You Retain Talent?

To someone outside of the UX community, talent retention might not seem like a critical issue, given the state of the economy and how many people are looking for work. But UX is a fiercely competitive market, with agencies and consultancies vying for the attention of the right UX folks.
The level of attention given to talent retention by the people I spoke with is fascinating. Here are what seem to be the key factors in retaining the best UX designers.

Opportunity

Kara Pernice: “We try to give people opportunities they are interested in.”

Self-Actualization

Tom Wood does it “by thinking every day about what motivates our people and making sure we do everything we can to help them realize their personal goals and ambitions. Beer also helps.”

Autonomy

Peter Merholz: “There is no UX consulting firm that allows the autonomy and freedom that Adaptive Path provides. Also, our commitment to sharing ideas, through writing, speaking and teaching, is unparalleled and attractive to our team.”

Professional Development and World-Class Training

Justin Cooke swears by “never saying no to a training request; employing brilliant leaders; listening to everyone’s ideas and auctioning them to make us a better agency; continually communicating how we are doing; starting at 10:00 am; tracking the market to ensure that our salary and benefits packages are among the best in the industry; and ensuring that we understand everyone’s career goal and mapping out a plan to make it a reality.”

Breathing Room

Stu and Odette: “We’re a pleasure to work with, and we only focus on a set number of projects, so as not to stretch people too far. The quality goes down if you do.”

9. What Kind Of Culture Do You Try To Create?

This question follows on the last one, because culture is obviously central to talent retention, and there are clear crossovers between the answers to the previous question and how this filters down through the culture that these leaders are trying to promote.
“Constellations are more interesting than individual stars.” This is the eloquent way in which Tom Wood describes the team culture he is trying to foster.
Justin Cooke supports the notion of a team culture by adding, “We are aiming to create a passionate team that cares for each other and is 100% committed to improving the digital world to make the real world a better place.”
Kara Pernice focuses more on the individual, describing the culture that she is trying to foster as being more autonomous, with “professionals producing high-quality, rigorous work that improves design for clients and UX professionals.”

10. What Skills Would You Like To See In More UX Designers?

I was most looking forward to hearing the responses to this question, not only for the insight, but also because they will help job seekers hone their skills in the most sought after areas.
The thing many of the experts seem to be looking for is holistic in nature — a well-roundedness more than particular design skills.

Client-Facing Skills

Tom Wood describes the need for more charming UX designers, who are “comfortable thinking in the same room as clients.”

Strategic Thinking

Justin Cooke looks for “a stronger understanding and awareness of the entire customer journey; a desire to improve the entire service rather than just the experience, and brilliant good storytelling.”
Stu and Odette add, “The ability to pragmatically design for digital products, rather than being able to talk solely about UX in general. Our industry is suffering from too many talkers and not enough walkers.”

Research Ability

Martin Belam says, “I wish people would read more widely, and more about some of the traditional design skills.”

Facilitation

According to Peter Merholz (and I tend to agree here), “Facilitation skills are becoming increasingly crucial in our work; being able to coordinate cross-functional teams and get the most and best out of them.”

Summary

UX is a hard skill to teach; no formal credentials are required, and no two career paths or job descriptions are the same. In fact, pinning down exactly what UX is can be difficult. It can mean different things to different people. Some UX design positions require only graphic design skills, others mainly planning and wireframing. Most, however, require a combination of design, planning, negotiation, conflict management, objectivity, leadership and openness. Above all, a good UX professional must have a natural appreciation of the human mind and be open to new attitudes and approaches and to exploring the impact of real people on the commercial environment around them.
Recruiting and hiring great UX professionals can be both challenging and fun. Quite often, the “right” person will be wildly different from the person you initially expected, and skill, judgement and intuition are required to pick them out.
One thing is for sure, though: UX skills are in high demand and short supply. It’s a candidate’s market, and companies need to try now more than ever to attract and retain the best minds in the field if they are to succeed online.
http://uxdesign.smashingmagazine.com/2012/02/16/how-to-recruit-ux-designer/

Finding new freelance opportunities

Designer and illustrator Sasha Prood explains how she’s growing her freelance career this year

Expanding the breadth of the projects I’m working on is a constant goal. My work has the potential to be marketable to a diverse range of clients from various industries – food, weddings, kids, men’s fashion and so on. I think it’s important to develop as broad a clientele as possible because it will enable my freelance business to become more and more consistent.

I promoted myself in a variety of ways this year and I’m planning to continue these approaches in 2012. I mailed out postcards to promote my illustration and lettering work, primarily directing these to magazines, and I also sent emails about my newly launched Print Shop to bloggers. I’m selling a selection of prints; it’s a new realm that I hope to further develop.

This year, my goal is to develop a body of work that can be presented as a solo exhibition. I also plan to develop a fully illustrated and hand-lettered book of my work, but that’s still an idea in progress right now. I’ve recently joined The Adam & Eve Projects, where a large variety of artists in different fields post about new, exciting happenings in their career and beyond. For a non-blogger, this is a nice alternative: it’s great for someone who wants to post regularly but not necessarily daily. I also plan to update my Behance portfolio more regularly, and of course it’s vitally important to keep my personal portfolio site as up-to-date as possible.

My approach to promoting myself is to participate in almost every opportunity that comes my way, so long as I can complete the task to my standards in the time available. I try to do every interview, contribute to every publication and be part of every project I’m offered. You just never know what new audience each opportunity could open up.
http://www.computerarts.co.uk/features/finding-new-freelance-opportunities?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+computerarts%2Fnews+%28Computer+Arts+News+feed%29&utm_content=Google+Reader

Mobile Gaming Gets a Performance Boost: Adobe AIR 3.2 with 2D and 3D Hardware Acceleration Announced

http://blogs.adobe.com/flashplatform/2012/02/mobile-gaming-gets-a-performance-boost-adobe-air-3-2-with-2d-and-3d-hardware-acceleration-announced.html

Ten great free education apps for the iPad

http://www.independent.co.uk/student/student-life/technology-gaming/ten-great-free-education-apps-for-the-ipad-6297153.html

Unemployed graduates should keep busy to improve job prospects

  Many graduates face the all too common disappointment of being unemployed once their studies finish. They invest large sums of money to further their education with a qualification, but find that they come out of their degree with no full-time job.
According to research conducted by the Higher Education Careers Services Unit, the unemployment rate among graduates from London, typically the highest in the country, reached 10.7 per cent in 2010, up from 7.5 per cent just three years earlier. It is no secret that job hunting can be tiresome and demotivating, unless there is something to keep busy with.
There are several different ways a graduate can fight off the depression of being unemployed while simultaneously improving their chances of landing the right job. One thing that all disenchanted graduates should certainly do is get work experience, even if unpaid.
Mark, an animation graduate from Newport University, was dissatisfied with his job at an insurance firm, which although not in his field of study, helped him pay off his student loans. Two years into the job, he decided to quit and travel abroad for a year. He had many exciting experiences, but when he returned home, he found that job prospects in animation had become even scarcer. “It was quite hard at first trying to look for paid work,” he says, “so I just looked for unpaid internships and work experience opportunities instead. It was difficult because I’m based in Devon, but a lot of animation companies are based in London. I worked for free at a small local company, travelling up to two days a week, and just one month ago they started paying me a modest salary as a freelancer.”
Mark has also been spending his spare time working on animation projects with his friends. “Last year, we read about a competition for a short animation video and decided we’d enter,” he says. While Mark and his teammates did not win the competition, they are still working on projects together in their spare time. “At least I get to add them to my show reel. I suppose it’s a lot better than doing nothing. If I’m at an interview and they want to know why there’s a gap in my job history I can say: ‘There is no gap. Look at what I worked on.’”
Most industries also have professional societies dedicated to helping students and graduates trying to kick-start their careers.
Samantha Smith, a graduate of Kingston University who studied an MA in creative writing and publishing, decided to join the Society of Young Publishers when she realised she needed to expand her network to enhance her job search. “I wasn’t sure what would happen as I went to my first networking event,” she says, “but everyone turned out to be very friendly. Luckily, I knew someone at the event and she introduced me to her peers in the publishing industry. When I got over my initial fears, I had met some very interesting people, to whom I spoke extensively about the different paths I could use to enter the publishing industry. Some of them even encouraged me to send them my CV for potential work experience opportunities.”
But publishing isn’t the only industry where recent graduates can take advantage of career networking opportunities. Sam Williams, a computer science student at Kingston University, recently discovered the British Computer Society, which holds weekly lectures on the industry. “At each weekly event, there’s a specific time for tea and conversations. Everyone wears nametags so there’s an opportunity to talk to the attendees and make new acquaintances before the actual lecture,” Williams comments after attending his second event. “Lectures also tend to be quite interactive, involving the audience by encouraging them to ask questions. After the talks, the speakers are quite approachable so attendees can easily walk up to them to learn more.”
“BCS was recommended to me by my university lecturers,” Williams says. “In my field it’s a recognised professional body, so I can get chartered through them. You have to be a member to get chartered.”
Professional bodies are not only useful for networking; they often offer extra qualifications and exclusive job postings. There are currently more than 270 professional bodies in the UK across 34 industry sectors, ranging from accountancy to transport and logistics. “It’s such a great opportunity to broaden one’s network of contacts,” Williams says. “At the end of the day, those are the people who might offer you your first job – so it’s very important to always strive to make the best impression.”
http://www.independent.co.uk/student/postgraduate/postgraduate-study/unemployed-graduates-should-keep-busy-to-improve-job-prospects-7298728.html